CONCRETE ROOM, 2001-2022 

score (a microphone traces the parameter/perimeter of the room), microphone, microphone cable, amplifier, steel platform, casters, room, artist. Choreographic score: Helen Grogan

Activated for exhibitions 2001-2019, including: 'The Ear Is a Brain', Liquid Architecture, 2015; ‘THREE PERFORMATIVE STRUCTURES FOR SLOPES’ Slopes Gallery, 2014, enacted by Geoff Robinson; 'Object As Score' at Margaret Lawrence Gallery, 2015, enacted by Matthew G Day; ‘The Score’ at Ian Potter Museum of Art, 2018, enacted by Geoff Robinson; ‘Dance & Music’, John Nixon/MADA, 2019, enacted by Jo Lloyd.

Installation view: 'The Ear Is a Brain' Liquid Architecture, curated by Joel Stern and Dani Zuvela, Naarm (Melbourne), Australia. 2015